![]() This means you have the full contrast range of video for easy color correction during post production. You can see if your video is clipping and adjust the camera iris and ISO settings to keep all black and white detail in the image. Histogram view lets you see where the pixels are in your video, and how they are distributed from black to white. No audio problem can hide from audio scope display.Ĭlipping levels on a live shoot results in loss of detail, which can cause huge problems when you try to adjust ‘blacks’ or ‘whites’ in post production. If you don’t get a vertical oriented waveform then you know your audio channel balance is out. It’s easy to see audio problems such as clipping, and out of phase audio can be seen as a left or right leaning display. The stereo phase meter plots left and right audio as an XY scope display so you know exactly what your audio is at all times. The audio scope also includes a stereo phase meter that can be selected to different SDI audio pairs. Monitor your audio levels with 16 channels of audio metering for viewing every channel in the SDI video connection. You can also select YUV parade display which shows the YUV component video as its transmitted down the SDI cable and is perfect for broadcast engineering analysis of SDI signals. However the RGB parade plots your video as R, G and B and so is the perfect way to keep track of illegal video levels. Vectorscope view cannot show illegal video levels, because vectorscope only plots colors and not the luminance component of video. RGB Parade lets you check for illegal colors because any video that drops below the black line, or above the 100% line, is an illegal RGB color. You can see the color balance in ‘blacks’, ‘mids’ and ‘whites’, making it easy to balance colors for perfect looking images. The real time RGB parade waveform view is the ideal scope for accurate color correction. You can also easily align hue on decks using a vectorscope. Sometimes monitors cannot be trusted, but with vectorscope you’ll always know the exact colors you’re working with. When you need to apply a tint, vectorscope lets you see exactly how much tint you’re adding and what color it is. If you're color correcting video, vectorscope shows when color has been removed or nulled out for accurate white balance. ![]() Waveform display is a vital tool for color grading and a valuable reference for unifying background levels when keying.Ī vectorscope is the only way to measure colors in video accurately. It's perfect for setting the output levels on your broadcast decks and generally monitoring the levels of your production while you edit. Waveform Display features a luminance waveform of the black and white levels in your video signal. ![]() Waveform display is perfect for adjusting video levels or matching black background levels when keying. You can always rely on SmartScope Duo to give you broadcast accurate monitoring, ensuring your video production has perfect video and audio levels at all times. ![]() This is a powerful combination because you can see the video you're monitoring alongside a real time scope measurement, all on the same SmartScope Duo. You can even monitor video on one LCD while running a scope such as waveform, histogram or audio on the other screen. SmartScope Duo gives you the choice to select a scope display or regular video on each of the 8 inch LCD displays. Now you don’t have to guess what your video and audio levels are, you can monitor them with precision using SmartScope Duo. Scope displays include waveform, vectorscope, RGB parade, YUV parade, histogram, audio phase and level scopes, and of course you can simply select to view the video itself. You get seven of the most popular scopes most widely used in broadcast and post production facilities. The SmartScope Duo model includes built in waveform monitoring when you need to analyze image quality more accurately than simply looking at the picture. ![]()
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